Unknown Singer – Mystery Girl an Etta James Song

Ok, so this has absolutely nothing to do with photography. I was sent this link to a Youtube video of an unknown person singing along to Etta James.

Now Etta James was considered one of the greats when it comes to female singers, and is one of a small number of blues and jazz singers who are used for comparison. One recent artist who has been compared favourably to Etta is Imelda May. Imelda gave me goosebumps when I first heard her and this mystery singer falls into that category too. When you bear in mind, it was recorded with a very basic (i.e. camera) microphone, you have to wonder how she would sound with better recording equipment.

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Printing problems Epson R2880 and Hahnemuhle Photo Rag Pearl

This afternoon has been a frustrating one. I must have wasted over two hours (and four sheets of expensive A3 paper, not to mention ink) trying to print some photographs for a competition. After a bit more time, digging around on the internet looking for causes and solutions, I finally found the solution.

It all started on the third print. The first two prints were from an old box of Hahnemuhle Photo Rag Pearl, my paper of choice for most printing. Then I had to start a new box and that was where the problem started. The printing process would get to the last half an inch or so, then there was a loud clacking noise, followed by a bang and then the paper would suddenly jump towards the left hand side of the printer (the top of the print). This caused a misalignment of about quarter of an inch, which was of course very obvious in the final product and completely unusable. When I examined the paper, the bottom right hand corner of the print was bent, as if it had been hit by something.

The cause was simple, as was the solution. It seems, that it is a problem that tends to occur mostly with Hahnemuhle paper. Something I have noticed, but not been too concerned about before, is that Hahnemuhle paper is curved towards the printing side. It just so happened, that the offending box was more curved than usual and it must have been this that had worsened a problem that was already there, but not causing noticeable effects. The solution was to flatten the paper. Before printing, I placed the sheet inside the polythene wrapper and rolled it in the opposite direction to the curve, as suggested on one forum. I then used the rear paper feed, which I had never managed to get to work properly (possibly it seems due to the curve) and the printing went without a single hitch, gone also was the alarming clacking noise I’d always had. So something to bear in mind if you get similar printing problems.

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Canon 5d MkIII, 7D MkII or Something Completely Different?

I don’t normally post anything to do with rumours of upcoming cameras, but today, a series of images was posted, purportedly taken by a tourist in Kenya, who was in the same vehicle as a Canon employee testing the new 600mm MkII and the announced 200-400mm with built-in 1.4x extender. The photos look a pretty good match for released images by Canon. More interestingly though, not only does there appear to be a 1D-X being tested, but also a mystery smaller format camera. Speculation varies as to whether it is the future 5D MkIII or the 7D MkII, but it is clear that the layout appears to be an evolution from that of the 7D, which isn’t really unexpected. It also appears to not have a pop-up flash and the size of the pentaprism would suggest it is full frame. Beyond that though, it is anyone’s guess.

See the images for yourself:

http://blog.apertureacademy.com/2012/01/canon-200-400mm-and-600mm-prototype.html

or read the discussions:

http://www.canonrumors.com/forum/index.php/topic,2963.0.html

Having had some time to digest the available information, the following summarises the salient facts.

  1. Pentaprism size suggests larger than APS-C, perhaps full frame.
  2. Some of the visible buttons might suggest high speed shooting.
  3. Button layout is a combination of 1D-X and 7D.
  4. Longer format rear screen might suggest greater emphasis on video.
  5. Lack of Creative Auto setting on mode dial – departure from both 5D and 7D lines.

So, lots of ifs buts and maybes, that don’t really do much to answer the questions. When the specifications of the 1D-X were released, some of them had me interested, for example, the better low light and overall image quality. However, the price is out of my range and the move to full frame would lose me “reach” over the 7D, which would be the obvious camera to replace. The thought of a possible small format version of the 1d-X (with its cheaper price point) does interest me and if it just happened to have  1.3x crop (i.e. the now supposedly defunct APS-H format) and around 22MP, so that it would offer improved image quality over the 7D, then I would probably be planning on a purchase in the future. Even full frame at around 25MP if it had improved image quality, better tracking and improved dynamic range and sensitivity over the 5D MkII would spark interest, as I could then keep the 7D for when I need the reach and use the new camera for all other circumstances, effectively replacing the 5D MkII.

Time will tell in the end and ultimately, we just have to wait for the announcement. The Camera and Photo Imaging Show starts on February 9th in Japan and with Focus on Imaging a month later, it is an ideal time coming up for Nikon and Canon to make some high profile announcements.

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Bridgwater Canal

Last Sunday, I decided it was about time I went out again. The lighting was pretty much perfect for some shots I had been planning for almost two years, but had always found somewhere else to photograph. A few miles outside of central Bridgwater, the Bridgwater and Taunton Canal passes a pub called the Boat and Anchor Inn, near the Huntworth Business Park. It isn’t anything out of the ordinary as far as canal-side pubs go, but they do serve very good food and of course offer nice beer. I didn’t visit on this occasion though, as I wanted to catch the low sunlight lighting the pub buildings and the canal. However, my memory was a little faulty and the angle I was looking for wasn’t possible, so I concentrated more on the canal, where the light was ideal.

While I was photographing the first of my chosen views, a dog walker stopped to say hello and mentioned that they were showing the canal on Countryfile on BBC1 later that evening. We chatted for a while, with him stating that he hadn’t seen them filming, but I thought it was slightly ironic, that I’d chosen that evening to photograph the canal.

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In Search of the Northern Lights

It’s almost twelve years now, since I moved to live and work in Oslo, the capital city of Norway. It was probably on my way back from my first return home after the move, that I got chatting to one of the other passengers. I remember remarking that I’d like to see the Northern Lights, without really giving it too much thought. He of course said that it would have to be a winter trip, which had I thought about it, was pretty obvious really. Although I did see something while walking home from work late once in the early hours, I never really got the chance, as the contract had to end earlier than expected.

A couple of weeks ago, I finally got my chance. I only arrived back on Monday, in the early hours, so the photos are only just ready, but I was able to spend six days in Tromsø, in the far north. Because it’s so far north of the arctic circle, the sun doesn’t rise for almost two months, giving a strange pale blue light (when it’s clear) during the day. At this time of year in early December, it lasts for around two hours.

Unfortunately however, we arrived to rain and strong winds, which pretty much lasted for the first four days. The chances of seeing the lights didn’t look too promising, but by the thursday, the day that had been booked, the forecast was for clearing skies. Just as we left though, the weather suddenly took a turn for the worse again, with a heavy downpour. Not in the slightest bit perturbed though, our guide headed east, towards the Finnish border, where the weather should be clearer, due to the shelter of the mountains. We had booked our trip with Kjetil Skogli, the man who took out Joanna Lumley during a British television production a few years ago. When I mentioned in the Visit Tromsø information office who I’d booked with, the response was “He’s the expert, you’ll definitely see them”, which was encouraging. Our first stop was just over an hour away from Tromsø and the skies looked a lot clearer, with increasing glimpses of the moon. As we came off the main road near Seljelvenes, towards the northeast, the sky looked to be glowing. After waiting for some time, the glow came closer, eventually forming distinct bands of white, against the dark sky. Light pollution was non-existent, allowing the best views of the stars and the moon was behind us, well away from the aurora that was forming.

While the display wasn’t the best, as solar activity had been low since the beginning of October, it was certainly an experience. They didn’t quite look as I’d imagined though. You see all the photos and imagine that the aurorae will be a mass of greens and reds, perhaps mixed in with some purples and blues if you’re lucky, but they were essentially white. I could just about make out some red colouration, but the greens just weren’t visible with the naked eye. Of course, again, had I thought more about it, I would have remembered that the human eye is pretty poor at distinguishing colour in the dark. Some people have better colour perception in the dark than others and one of the others could make out a slight green tinge. Had the display been stronger, then there would have been a greater chance of seeing the colours, but I was able to get a couple of useable photographs. Judging by my settings and comparing them to other photos, I would estimate, that a strong display could have been as much as ten times brighter. It wasn’t long before the skies clouded over again though and each of the subsequent stops failed to reveal any better displays before the clouds caught up with us.

Mildly satisfied that I’d at least seen them, I now hoped for clearer skies during the day, so that I could photograph Tromsø in the best light possible. Friday was a complete washout though with heavy rain and more strong winds, which later turned to sleet with occasional snow flurries, resulting in a spattering of snow on Friday night. Saturday was another story however. The skies cleared, with much colder weather, resulting in some of the best light I’ve ever seen for photography. It’s difficult to describe, but the closest I can come, is by describing it as a turquise blue light, tinged with pinks and purples, as the invisible sun reflects off the few clouds. As dusk approaches in the afternoon, the colour darkens to give an even stranger, almost surreal light.

All in all, my trip to northern Norway was a success, but I know want to try seeing a stronger display and especially perfect my technique of photographing the Northern Lights, which left a bit to be desired.

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Apple iBook Version of A Journey with Nature is Available

As the electronic version for Amazon’s Kindle seems to be more popular than the print version, I have now updated my Blurb shop to offer an iPad and iPhone version of “A Journey with Nature” for sale. Unlike the version on Kindle, this is is full colour, with all the photographic images used to illustrate the large format print version.

The book itself, charts my experiences while tavelling and watching the natural world, starting in Nepal and following my journey in Scotland and Somerset.

Why not consider it as a Christmas present?

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New Photography Article – The Use of Filters

I have just published a new article on “The Use of Filters in Photography“. It isn’t an exhaustive list, but it concentrates on the most commonly used filters in digital photography. It debunks the policy by many photographic stores of selling a UV filter with every lens (usually cheap, poor quality versions) and tries to reverse the trend of doing everything in Photoshop. The effects of some filters can’t be reproduced in Photoshop (e.g. polarising filters) and it saves a significant amount of time in post production.

I will be adding some example photographs, with explanatory captions to the article in the coming few days.

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